Joanna Logue
Born
1964 | Scone, NSW, Australia |
Solo exhibitions
2019 | Floating world, King Street Gallery on William, NSW |
2018 | Of time long past, Bank of America Merril Lynch, Sydney, NSW |
New Work, Scott Livesey VIC | |
2017 | New Work, Scott Livesey |
Heartland, King Street Gallery on William, Sydney, NSW | |
2016 | Reveries, Anna Pappas Gallery, Melbourne, VIC |
Where she was sleeping, Bathurst Regional Gallery, Bathurst NSW | |
2015 | New Work, King Street Gallery on William, Sydney, NSW |
2013 | New Work, James Makin Gallery, Melbourne, Vic |
2012 | New Work, King Street Gallery on William, Sydney |
2011 | New Works Hill End, Bathurst Regional Gallery |
2010 | New Works, King Street Gallery on William |
Essington – New work, Cowra Regional Art Gallery, Cowra | |
2009 | New Paintings, acga Gallery @ Fed Square, Melbourne [with King Street Gallery on William |
2008 | New Work, Tim Olsen Gallery, Sydney |
2007 | New Work, Tim Olsen Annex Gallery, Sydney |
New Work, Gadfly Gallery, Perth | |
Glimpse, Bathurst Regional Art Gallery, NSW | |
2006 | New Work, Tim Olsen Gallery |
2005 | Parks, Tim Olsen Annex Gallery |
2004 | Tim Olsen Gallery |
Axia Modern Art, Melbourne | |
2003 | Tim Olsen Gallery |
2002 | Axia Modern Art |
2001 | Axia Modern Art |
2000 | Michael Nagy Fine Art, Sydney |
Axia Modern Art | |
1999 | Michael Nagy Fine Art |
1998 | Axia Modern Art |
1997 | Michael Nagy Fine Art |
1996 | Vastness, Axia Modern Art |
Recent Landscapes, Solander Gallery, Canberra | |
1995 | A Time and Place, Editions Galleries, Melbourne |
1994 | New York City Landscapes –Central Park, Solander Gallery |
1993 | Oberon, Painters Gallery, Sydney |
1992 | Tidal Marks, Solander Gallery |
1988 | Cooper Gallery, Sydney |
1987 | Cooper Gallery |
Selected group exhibitions
2019 | Inside/outside, King Street Gallery on William, NSW |
2017 | At Bull Bay, Despard Gallery, Hobart TAS |
Country & Western, Landscape Re-Imaged: S.H Ervin Gallery, Sydney | |
NSW Parliament en Plein Air Prize, NSW Parliament House, Sydney | |
Seven Decades, Hill End, Penrith Regional Art Gallery and the Lewers Bequest, Penrith NSW | |
2016 | Salon des Refusés, S.H. Ervin Gallery, Sydney, NSW & Mornington Peninsula Regional Gallery, Vic |
Tattersalls Club Landscape Art Prize, Tattersalls Club, Brisbane QLD | |
The Blake Prize for Religious Art, Casula Powerhouse, Sydney | |
Country & Western, Landscape Reimagined Cairns Regional Gallery, Cairns, QLD | |
NSW Parliament en Plein Air Prize, NSW Parliament House, Sydney | |
Calleen Art Award, Cowra Regional Art Gallery | |
2015 | At Bull Bay, Despard Gallery Hobart |
Salon des Refusés, S.H. Ervin Gallery, Sydney, NSW & Mornington Peninsula Regional Gallery, Vic | |
Mosman Art Prize, Mosman Art Gallery & Museum Sydney | |
Country and Western, Landscape re-imagined, Perc Tucker Regional Gallery Townsville, S.H Ervin Gallery Sydney, Wagga Wagga, NSW, Blue Mountains City Art Gallery, Orange Regional Art Gallery, Orange. | |
200X200 a retrospective, Bathurst Regional Gallery, NSW | |
NSW Parliament en Plein Air Prize, NSW Parliament House, Sydney | |
The Piano Has Been Drinking [not me], Maitland Regional Gallery, NSW | |
Art Stage, Singapore Art Fair, Singapore | |
Gosford Art Prize, Gosford NSW | |
2014 | NSW Parliament en Plein Air Prize, NSW Parliament House, Sydney |
Tattersalls Club Landscape Art Prize, Tattersalls Club | |
Paddington Art Prize, Sydney | |
Natura Morta, Dubbo Regional Gallery, Dubbo, NSW | |
Norvill Art Prize, Murrurrundi, NSW | |
Australia Day Exhibition, Australian Galleries, Syd & Melb | |
2013 | Kedumba Drawing Prize, Kedumba Gallery, NSW |
Tattersalls Club Landscape Art Prize, Tattersalls Club | |
Loaded, The Australian High Commission Singapore | |
The Feminine Optic: Female Perspectives on Landscape, Tamworth Regional Gallery, Tamworth, NSW | |
Looking Forward, King Street Gallery on William, Sydney | |
The Calleen Art Prize, Cowra Regional Gallery, NSW | |
NSW Parliament en Plein Air Prize, NSW Parliament House, Sydney | |
2012 | Picturing the Great Divide, Blue Mountains Cultural Centre, NSW |
New Acquisitions, Cowra Regional Gallery | |
Norvill landscape painting prize, Murrurrundi, NSW | |
The Fleurieu Biennale Art Prize, for Landscape, Adelaide, SA | |
The Big Picture, King Street Gallery on William | |
Virtual Reality, Newcastle Regional Gallery, Newcastle, NSW | |
2011 | Paddington Art Prize, Menzies Brand Gallery, Sydney |
New Romantics, Gippsland Regional Gallery | |
Wattle- Australian Contemporary Art Cat Street Gallery, Hong Kong | |
Arkarba Station- Flinders Rangers King Street Gallery, Sydney | |
Fine Art Asia Fair, Hong Kong | |
Together in Harmony, Noori and Arum Gallery Korea Foundation Culture Centre, Seoul, Korea and Hong Kong | |
Landscape, Gippsland Art Gallery, Sale, VIC | |
2010 | NSW Parliament en Plein Air Prize, NSW Parliament House, Sydney |
ANL Maritime Art Prize Melbourne | |
Paddington Art Prize, Menzies Brand Gallery, Sydney | |
Small Images – Grand Visions 40/40 Wagner Art Gallery | |
2009 | NSW Parliament en Plein Air Prize, NSW Parliament House, Sydney |
Mosman Art Prize Mosman Art Gallery, Sydney | |
ANL Maritime Art Prize Exhibition Melbourne | |
Gosford Art Prize, Gosford Regional Gallery, Gosford | |
2008 | Directors Choice, Bathurst Regional Art Gallery, NSW |
2007 | Greetings from Coogee –Streeton Inspired, Mary Place Gallery, Sydney |
2006 | Beyond Hill End, Cudgegong Gallery, NSW |
Country Energy Prize for Landscape Painting | |
2003 | Depth of Field, Shepparton Art Gallery, VIC |
2001 | Decade, Bathurst Regional Art Gallery |
Five Women, The Bell Gallery, Berrima, NSW | |
2000 | Sydney Scene Olympic Arts Festival, Michael Nagy Fine Art |
1992 | North Sydney Contemporary Gallery, Sydney |
1990 | New Art 1990 Bonython-Meadmore Fine Art, Sydney |
1989 | Australian Heritage Award, Blaxland Gallery, Sydney |
1987 | Australian Textiles Award, Sydney Textiles Museum |
Post Graduate Exhibition, Ivan Dougherty Gallery, COFA, UNSW, Sydney | |
Douglass Art Award, Ivan Dougherty Gallery | |
1986 | Graduating Students Exhibition, City Art Institute, Sydney |
Nude Shoot, Gates Gallery, Sydney | |
1985 | Seasons Gallery, Sydney |
Awards & residencies
2014 | Bull Bay, Bruny Island Tasmania, Artist in Residence |
2010 | Haefliger’s Cottage, Hill End Residency, Bathurst, NSW |
2009 | Central West Artist Award, Cowra Regional Art Gallery , NSW |
2006 | Country Energy Art Prize for Landscape Painting, Sydney |
2000 | Kings School Contemporary Art Prize, Parramatta, Sydney |
1998 | Gunnery Studio, NSW Gunnery Studios Program, Sydney |
Public commissions
World Square Foyer |
Collections
Ampol Collection, Australia | Macquarie Bank, Australia |
Australian Art Investment Trust | Mann Judd Pty Ltd, Australia |
Australian Club, Sydney | |
Australian Institute of Management | McKinsey & Co., Australia & New Zealand |
Australian Metal Holdings Ltd | Mirvac, Australia |
Australian Property Network | NRMA, Australia |
Baker & McKenzie, NSW | Parncutt Acton, Australia |
Barclays Bank, Australia | Pracom Ltd, Australia |
Bathurst Regional Art Gallery, NSW | Qantas, Australia |
Burns Philip Ltd, Australia | Rand Corporation, Australia |
Cornell University, USA | University of New South Wales |
Country Energy, NSW | Vaughan Construction, Australia |
Cowra Regional Art Gallery, NSW | Tamworth Regional Gallery |
Fluor Daniel Australia Pty Ltd | |
Kurrajong Hotel, ACT | Walker Corporation Ltd |
Kedumba Drawing Collection | WT Partnership, Australia |
Selected bibliography
2019 | Little, Carl: Landscape Revelation, King Street Gallery Catalogue Essay |
2017 | Smith, Linda Tas Weekend: Susan Biard and Joanna Logue bond over shared passion, The Mercury March 4 |
Wilson, Gavin: Country & Western Landscape Re-imagined Catalogue Essay p38 | |
Minter, Peter: The Jade Pavilion, Heartland Catalogue entry, King Street Gallery P2 | |
2015 | Frost, Andrew: Catalogue Essay King Street Gallery on William |
Mar, Diane, Artist Profile Magazine p02 Issue 29 | |
Joanna Takes her New Work to Sydney, Oberon Review, May 21 | |
Art Collector Magazine, Singapore Art Fair | |
2014 | SMH Australia Day Wrap Jan 26 -27 page 2 |
Art Almanac, Featured Artist | |
2013 | Frost, Andrew: The Feminine Optic exhibition catalogue essay |
2011 | Gregg, Simon: ‘New Romantics – Darkness and light in Australian Art’. Australian Scholarly Publishing |
2010 | Frost, Andrew: ‘Natural Impressions’ Sydney Morning Herald Metro Art June 18 p14 |
‘Water: Australia Day 2010,’ The Age, Jan 26, front page pullout | |
Lobley, Katrina: Open Gallery ‘Joanna Logue: New Paintings’, Spectrum-SMH, June 19-20, p14 | |
Frost, Andrew: ‘Natural impressions,’ Metro-SMH, June 18-24,p14 | |
2009 | Beverage, Ann: ‘A Brush With Nature,’ Blue Mountains Life Magazine, Oct- Nov, p40 |
2007 | Hetherington, Sarah: ‘Joanna Logue,’ Art World Magazine, Oct/Nov, pp142-145 |
Newstead, Adrian: ‘Greetings from Coogee,’ Catalogue Essay | |
2006 | Winner’s Profile, Countryscapes, Country Energy (website) |
Country Energy Art Prize for Landscape Painting, Countryways, Nov/Dec/Jan, p4 | |
Musa, Helen: ‘Oberon artist’s brush with Braidwood pays dividends,’ The Canberra Times, Oct 13, p4 | |
2005 | Jones, Julia: ‘Regional art hotties: Out There,’ Australian Art Review, Iss 07 Mar-June, pp47-48 |
2002 | Tegart, Louise & Hall, Karen: ‘Joanna Logue,’ Depth of Field-Catalogue Essay, Shepparton Art Gallery, pp28-29 |
2001 | Bock, Ilana: ‘A Case of Reputation,’ Australian Art Collector, Iss 17, July-Sept, p96 |
2000 | Makin, Jeff: Arts Review, Melbourne Sunday Herald |
Smee, Sebastian: Arts Review, The Sydney Morning Herald | |
1999 | Ed. Drury, E.: ‘Images 3’ published by Craftsman House |
1997 | Auty, Giles: Art Review, The Weekend Australian |
James, Bruce : Arts Review, Sydney Morning Herald | |
1996 | Art Review, The Australian Financial Review |
Art Review, Canberra Times | |
‘Images 2’ published by Craftsman House | |
1994 | Arts Review, Canberra Times, July 6 |
1992 | Arts Review, Canberra Times, Aug 12 |