My latest body of work is an ongoing inquiry into how and what makes an ‘interesting’ painting. My culture has been critical in how I see my painting; the Samoan Pe’a (tattoo) or Tapa cloth for example, each consist of patterns that are abstracted from nature, so abstraction has always been something I am comfortable with. My latest paintings have become a lot more atmospheric and some of the gestural marks are less obvious. I like the idea that the forms appear to be ‘falling apart’ with some fragments suspended in time.
This page is an archive of a past exhibition. Please note that works may no longer be available as shown and prices may be subject to change to reflect current market value. Please contact the gallery for assistance. Thank you.
