To travel is not to commute, to see the landscape fleetingly in passing from place to place. Rather, for an artist like Amanda Penrose Hart, to travel is to commune with the rhythm and beat of the landscape and its history, whether it is on the fields of France, the ancient shores of Gallipoli, the dusty central New South Wales research station of Fowlers Gap, or the spectacular lake and alps of Queenstown, New Zealand.
– Andrew Yip, Art Historian, 2017 (catalogue essay)
